I love it when critics are funny when picking on movies. Charles Taylor didn't much like Tomb Raider:
The camera swings around and jerks hither and yon as if it had been mounted to Charo's hips instead of a tripod. And I'm sure that with the use of the paper shredder I received last Christmas I could learn to duplicate Dallas S. Puett and Glen Scantlebury's editing scheme. Let's just say that if spatial relationships are part of what you require to make sense of a movie -- you know, telling where the characters are in proximity to one another, something that tends to help when good guys and bad guys are squaring off -- then maybe it's time to stay home and get started reading "The Count of Monte Cristo" as you've always meant to.
Heh! (or watch the movie version, for that matter).